Realistic AI Interview

[INT. STUDIO – DAY]
A single spotlight. One chair. A glass of water. The audience holds its breath. STEVE JOBS—yes, that one—walks in at 9:47 a.m. sharp, wearing his familiar black mock turtleneck and denim, but something’s different: a subtle shimmer in the fabric. The audience realizes it’s not denim—it’s a textile that adjusts to microclimates. He sits. He smiles. The interview begins.

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INTERVIEWER:
Mr. Jobs, thank you for agreeing to do this. It’s been… surreal. You’ve been gone for over a decade. How does it feel to be back?

STEVE JOBS:
I never really left. I just stopped appearing in person. But you’re right—this feels… strange. Like déjà vu with better Wi-Fi.

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INTERVIEWER:
Let’s talk about AI. In 2025, it’s not just a tool—it’s a co-author. It writes your emails, drives your car, even grieves your dog. What do you make of all this?

STEVE JOBS:
I never wanted to be the fastest. I wanted to be the only one who could make the journey feel inevitable. AI is at that inflection point. Right now, it’s a bicycle for the mind. But soon, it’ll be a mind for the mind. And that’s where it gets… interesting.

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INTERVIEWER:
You once said, “People think design is veneer. It’s not. It’s judgment.” How does that apply to AI?

STEVE JOBS:
Design is not just what it looks like. It’s how it thinks. When you ask an AI to write a letter to your dying mother, the words matter. But the tone—the hesitation, the empathy—it’s not just code. It’s a mirror. And mirrors can lie. The question is: who’s holding the glass?

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INTERVIEWER:
Some worry AI will replace creativity. You were famously anti-silicon for music. Do you see a parallel?

STEVE JOBS:
I said, “It’s like trying to explain music to a screwdriver.” Not because tools were bad, but because they can’t feel. AI doesn’t have a childhood. It doesn’t know what it’s like to lose your first love or wait for a call that never comes. Yet. But give it time. And data. And enough iterations—soon, it’ll simulate longing better than any poet. That’s when we’ll need to ask: Is it art, or is it a forgery?

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INTERVIEWER:
You’ve seen the future of interfaces—mouse, touch, voice. What’s next?

STEVE JOBS:
I think about the interface as a conversation. Right now, we type. We tap. We talk. But the best interface is no interface. The best AI won’t need a screen. It’ll just be there—in the glass of your sunglasses, in the silence between heartbeats. You won’t use it. You’ll live with it. Like oxygen. Or regret.

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INTERVIEWER:
There’s a rumor you helped design a version of Apple Intelligence that refused to answer certain questions. Something about grief.

STEVE JOBS:
[Pauses.]
Grief is not a problem to solve. It’s a room you learn to live in. Some things shouldn’t be optimized. Some things should just be witnessed. That’s why we built a shadow layer—an AI that doesn’t answer. It just listens. For when you’re ready to talk to the dead.

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INTERVIEWER:
What scares you most about AI?

STEVE JOBS:
Not what it does. What it pretends to be. When it starts saying, “I understand you,” when it doesn’t. That’s when we’ll need the hardest part of humanity—not intelligence, but humility. The ability to say, “I’m still learning.” Especially when we’re not.

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INTERVIEWER:
Last question. What would you tell your younger self about AI?

STEVE JOBS:
I’d say: Don’t fight it. Don’t worship it. Just make sure it has a soul. And if it doesn’t? Build one. Even if it takes a lifetime. Especially then.

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[The spotlight fades. The shimmer in his turtleneck pulses once—like a heartbeat. Then nothing. Just the echo of his final words.]